I paint because I need to capture the instant before it fades.
I paint because I am drawn to the fragile instant before it fades — the moment where memory, emotion, and perception begin to shift. My work investigates the complexity of lived experience through processes of analysis, fragmentation, and reconstruction.
I approach painting as a space where these fleeting impressions can be examined, layered, and reassembled. Through abstract structures and cubist fragmentation, I build visual compositions that echo the non‑linear nature of human experience. Planes, symbols, and translucent layers become tools to explore how meaning forms over time — never fixed, always shifting.
Painting, for me, is both an act of inquiry and a way of holding together what is inherently complex, preserving what might otherwise disappear.